Anthony Fauci,
THE MAN WITH THE GOLDEN PARDON
Anthony Fauci received a presidential pardon, but the questions surrounding pandemic policy, research funding and public accountability have not disappeared with it.
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Joseph Stalin,
STALIN’S WEB
Stalin is gone, but collectivist ideas can outlive their architects-spreading through the institutions that shape belief, culture, education, government and everyday life.
Selective Morality,
SELECTIVE MORALITY: THE SAME WORDS, TWO VERDICTS
The same belief is called “hope” when expressed by a favoured voice and “hate” when spoken by someone deemed unacceptable. That is not consistency - it is selective morality.
Armenian Genocide,
EVERY LOVE AFFAIR HAS A PAST
Around 1.5 million Armenians perished during the Ottoman genocide. More than a century later, denial cannot silence the innocent blood that still cries out for truth and remembrance.
Nigel Farage,
LABOUR’S LATEST HISTORICAL BREAKTHROUGH
When evidence fails, blame Reform. This satirical trial imagines Nigel Farage held responsible for everything from pandemics and potholes to rain and missing car keys.
Immigration,
THE AGE OF RAMMING
Britain is being squeezed between institutional ideology and extremism enabled by weak borders. The public stands in the middle while the Government refuses to stop the collision.
Media Failure,
THE ROTTEN BARRELS
When institutions protect their reputations instead of the vulnerable, corruption rises while victims are abandoned. The rotten reach the top because every barrel shields the next.
Far Left,
THEY MOVE AT LIGHT SPEED - BUT ONLY IN ONE DIRECTION
Why is alleged far-right extremism announced instantly, while evidence of far-left extremism produces hesitation, reviews and delay? A satire on political labels and selective urgency.
British Justice,
BRITISH JUSTICE: NOW AVAILABLE IN TWO SPEEDS
A satirical look at Britain’s two-speed justice system, contrasting rapid action when a case fits the prevailing narrative with confusion and delay when the facts prove politically awkward.
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Politically Incorrect UK uses sharp satire and artwork to confront political hypocrisy, cultural absurdity and the stories others are afraid to challenge.